How J-Drama "Marumo no Okite" Improves My Rusty Ear

I’m dusting off the cobwebs of this blog and hoping to be more active again. I’ve got a lot going on in my crazy writing life, but will do my best to ganbarimasu!

Recently my husband granted me the wish of a subscription to TV Japan through Comcast Xfinity. Way back in the day when I was first studying Japanese (in the ancient times of no Internet and when VHS was the ultimate in high tech), I relied a lot on a local San Francisco station, Channel 26, that broadcasted Japanese programming mainly on weekends, to help with hearing real Japanese. There was a time when you could catch a wide variety of Japanese TV shows on Channel 26, some with English subtitles, and it was a great help in training my ear to Nihongo.

But as the years passed and the demographics in San Francisco started shifting, Channel 26 began to strip away its Japanese programming in favor of Mandarin and Cantonese language shows. The pickings became slim and with the advent of TV Japan, I now understand that many of the expats or temporary expats in the Bay Area weren’t watching Channel 26 anymore. And with the advent of TV Japan I’m assuming it was harder and harder for the station to attract Japanese sponsors.

With TV Japan I’m back on track and I can hear Japanese 24/7 if I want to. This helped tremendously when I found myself in Osaka last month, my first time visiting Japan in more than five years and by far my longest break from one of my favorite places in the world. My ear wasn’t as rusty as it usually is and I also felt “in tune” with Japan since I was much more aware of what was going on, thanks to steady viewing of TV Japan at home.

I want to urge those of you studying Japanese to try and immerse yourself in the language as best you can. And these days with the Internet, DVDs, cable TV, etc., etc. there’s really no excuse—even if you live thousands of miles away from Tokyo you can still get an earful.

One of the best ways to improve your Japanese, I think, is by watching Japanese TV dramas. On TV Japan I’ve been watching one called Marumo no Okite. TV Japan mostly shows up-to-the-minute NHK shows, but has recently started offering other programming. Marumo no Okite originally aired on Fuji TV last spring, but it’s new to me so I don’t mind if it’s a bit old.

If Marumo no Okite were an American TV show, I wouldn’t watch any more than five minutes of it. It’s sappy and sentimental, about a young salaryman (Sadao Abe) who unexpectedly must take in his old baseball team buddy’s two kids when the friend dies suddenly. The children (Mana Ashida and Fuku Suzuki) are precocious and much too perfect (though they don’t mug for the camera as much as some American child stars) and there’s also a talking dog. Sheesh!

But I’m not expecting Downton Abbey here. I like that Marumo is predictable and sentimental and repetitive because that makes it much easier to understand when you don’t have any English subtitles on which to rely (another good strategy to help you improve). It’s also good to notice how the Japanese changes when a character is talking to his family, to his boss, to his customer and to a stranger. If you observe enough, you’re bound to pick up a lot. And if you find yourself understanding everything Mook the talking dog says you can reward yourself with a treat!

Wendy Nelson Tokunaga is the author of the novels, “Midori by Moonlight” and “Love in Translation” (both published by St. Martin’s Press), and the e-book novel, “Falling Uphill,” written under the pen name Kelly Sweetwood. She’s also the author of the nonfiction e-book, “Marriage in Translation: Foreign Wife, Japanese Husband.” Her short story, “Love Right on the Yesterday” appears in the upcoming book, “Tomo: Friendship Through Fiction: An Anthology of Teen Stories.”

Wendy holds an MFA in Creative Writing from University of San Francisco and teaches for Stanford University’s Online Writer’s Studio and for the MFA program at University of San Francisco. She also does private manuscript consulting for novels and memoirs. When she’s not busy writing, Wendy loves to sing jazz and Japanese karaoke with her Osaka-born surfer-dude husband accompanying her on keyboards. Follow her on Twitter at Wendy_Tokunaga and visit her website at: www.WendyTokunaga.com

Love in Translation - Book Trailer

Very happy to present the book trailer for Love in Translation, which comes out on November 24.

“A delightful novel about love, identity, and what it means to be adrift in a strange land. This story of a search has an Alice in Wonderland vibe; when Celeste climbs down the rabbit hole, one can't help but follow along.” —Michelle Richmond, New York Times bestselling author of The Year of Fog

“An amusing story of one woman's quest for her father and the improbable path of love.”—Meg Waite Clayton, author of The Wednesday Sisters

Midori by Moonlight Book Trailer

I'm happy to present the Book Trailer for Midori by Moonlight, created by myself, with music composed by my husband Manabu Tokunaga.

Invasion of the Herbivorous Ladylike Japanese Man

Japan is a land of extreme trends and buzz words that can overtake the country in minutes and just as quickly disappear to make way for the next. But this is an interesting one and I think I even mentioned a reference to this syndrome in a previous post. The Japan Times documents a new trend that has culminated in a report from the Infinity market-research company called, “Herbivorous Ladylike Men Are Changing Japan” (Soshokukei Danshi Ojo-man Ga Nippon wo Kareu).


This new generation of Japanese men worry about their weight, are less competitive about careers, and are so close with their mothers that they take shopping trips together. The “ojo-man” (ladylike man) lacks any interest in dating young women or having any relationships; his sex life is limited to “self-help” toys and Internet porn. He is also fierce in his commitment to frugality and wouldn’t be caught dead without his coupons and frequent-shopper discount cards. Infinity claims that 60 percent of today’s Japanese men aged 20-34 fall into this category.


Exaggerated? Most probably. But ever since I first was in Japan I was struck by how there seemed to be no stigma against the gentler, more “feminine” man. I remember hearing complaints from Western women viewers of the Toni Collette movie Japanese Story (2003) such that they couldn’t understand the appeal of male lead Gotaro Tsunashima because he was “too feminine.” He was just a regular cute Japanese guy to me and I thought he was perfect for the role. The big, muscular, football player types that so many American women seem to go for never appealed to me. While Japan certainly has its more “masculine” movie and pop stars, there are certainly just as many ojo-men from which to choose.

Of course, sociologically, if this trend is true along with the trend of women purposely remaining unmarried and without kids, then the land of the rising sun is due to become a lot less crowded in the coming generations. But it could also point to a growing tolerance toward less strict gender roles for both sexes.